KING, Kenneth

A profoundly original mind from the beginnings of his professional career, King has worked inventively in both dance and writing. For Camouflage (1966), he jumped in place for several minutes, and the most spectacular passages of Blow-Out (1966) had him dressed in dark glasses, his hands in gloves attached by elastic strings to the side walls, his feet firmly planted, his body contorting within the severely constraining frame. In M-o-o-n-b-r-a-i-n with SuperLecture (1966), King emerges in the costume...