As a painter incidentally skilled at fixing watches, Rhoads began in the 1970s to create kinetic sculptures that use a minimum of technology by mostly depending upon gravity for their effects. Rhoads typically uses a motor to bring a single kind of ball (billiard balls, golf balls, etc.) to the top of a structure. The balls flow randomly down one of several available paths, customarily hitting a succession of noisemakers and moving parts until they reach a bottom level, from which...
RHOADS, George
(*1926)
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Content © 2026 · Répertoire International de Littérature Musicale
Content © 2026 · Répertoire International de Littérature Musicale