SEARCH

Popular Music of the Parlor and Stage

Authors: DALE COCKRELL, ANDREW M. ZINCK

Musical theater was not a term the eighteenth century would have recognized, as a small orchestra and singers were expected to be part of all theatrical occasions. Instrumental music, purposely unobtrusive, was background to plays and other dramatic presentations. Songs with greater intrinsic interest to audiences were more in the foreground and were often interpolated into plays or featured between plays or acts of plays, yet they too remained relatively minor aspects of the evening’s entertainment...

This is a preview of “Popular Music of the Parlor and Stage” on RILM Music Encyclopedias. If you have a subscription, please or access via your institution to see the full article.