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Annals of opera, 1597–1940
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A. OREFICE: Patrò Calienno de la Costa
| Work
Annals of opera, 1597–1940
A. PALMA: Nazdah
| Work
Annals of opera, 1597–1940
A. PERI: Giuditta
| Work
Annals of opera, 1597–1940
A. PERI: Vittore Pisani
| Work
Annals of opera, 1597–1940
A. RITTER: Der faule Hans
| Work
Annals of opera, 1597–1940
A. RITTER: Wem die Krone?
| Work
Annals of opera, 1597–1940
A. SCARLATTI: Gli Equivoci in Amore overo La Rosaura
| Work
Annals of opera, 1597–1940
A. SCARLATTI: Gli Equivoci nel Sambiante*
| Work
Annals of opera, 1597–1940
A. SCARLATTI: IL Mitridate Eupatore*
| Work
Annals of opera, 1597–1940
A. SCARLATTI: Il Pompeo
| Work
Annals of opera, 1597–1940
A. SCARLATTI: Il Prigioniero fortunato
| Work
Annals of opera, 1597–1940
A. SCARLATTI: Il Tigrane overo L’egual Impegno d’Amore e di Fede*
| Work
Annals of opera, 1597–1940
A. SCARLATTI: Il Trionfo dell’ Onore*
| Work
Annals of opera, 1597–1940
A. SCARLATTI: L’Eraclea
| Work
Annals of opera, 1597–1940
A. SCARLATTI: L’Honestà negli Amori
| Work
Annals of opera, 1597–1940
A. SCARLATTI: La Caduta de’ Decemviri
| Work
Annals of opera, 1597–1940
A. SCARLATTI: La Griselda*
| Work
Annals of opera, 1597–1940
A. SCARLATTI: La Rosmene overo L’Infedeltà fedele
| Work
Annals of opera, 1597–1940
A. SCARLATTI: La Statira*
| Work
Annals of opera, 1597–1940
A. SCARLATTI: M. Attilio Regolo
| Work
Annals of opera, 1597–1940
A. SCARLATTI: Olimpia vendicata
| Work
Annals of opera, 1597–1940
A. SCARLATTI: Pirro, e Demetrio
| Work
Annals of opera, 1597–1940
A. THOMAS: Françoise de Rimini
| Work
Annals of opera, 1597–1940
A. THOMAS: Hamlet*
| Work
Annals of opera, 1597–1940
A. THOMAS: La double Échelle
| Work
Annals of opera, 1597–1940
A. THOMAS: Le Caïd
| Work
Annals of opera, 1597–1940
A. THOMAS: Le Panier fleuri
| Work
Annals of opera, 1597–1940
A. THOMAS: Le Perruquier de la Régence
| Work
Annals of opera, 1597–1940
A. THOMAS: Le Songe d’une Nuit d’Eté
| Work
Annals of opera, 1597–1940
A. THOMAS: Mignon
| Work
Annals of opera, 1597–1940
A. THOMAS: Mina ou Le Ménage à trois
| Work
Annals of opera, 1597–1940
A. THOMAS: Psyché
| Work
Annals of opera, 1597–1940
A. THOMAS: Raymond ou Le Secret de la Reine
| Work
Annals of opera, 1597–1940
A. VON GOLDSCHMIDT: Heliantus
| Work
Annals of opera, 1597–1940
A. WOLFF: L’Oiseau bleu
| Work
Annals of opera, 1597–1940
A.G. THOMAS: Nadeshda
| Work
Annals of opera, 1597–1940
ABBATE: Matelda
| Work
Annals of opera, 1597–1940
ABBREVIATIONS
| Front/back matter
Annals of opera, 1597–1940
ABERT: Astorga
| Work
Annals of opera, 1597–1940
ABERT: Ekkehard
| Work
Annals of opera, 1597–1940
ABOS: Tito Manlio
| Work
Annals of opera, 1597–1940
ABRÁNYI: Monna Vanna
| Work
Annals of opera, 1597–1940
ADAM: Giralda ou La nouvelle Psyché
| Work
Annals of opera, 1597–1940
ADAM: La Poupée de Nuremberg
| Work
Annals of opera, 1597–1940
ADAM: La Reine d’un Jour
| Work
Annals of opera, 1597–1940
ADAM: Le Bijou perdu
| Work
Annals of opera, 1597–1940
ADAM: Le Brasseur de Preston
| Work
Annals of opera, 1597–1940
ADAM: Le Chalet*
| Work
Annals of opera, 1597–1940
ADAM: Le Farfadet
| Work
Annals of opera, 1597–1940
ADAM: Le fidèle Berger
| Work
Annals of opera, 1597–1940
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