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Annals of opera, 1597–1940
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CHELIUS: Die vernarrte Prinzess
| Work
Annals of opera, 1597–1940
CHELLERI: L’Innocenza giustificata
| Work
Annals of opera, 1597–1940
CHEREPNIN: Ol-Ol
| Work
Annals of opera, 1597–1940
CHERUBINI: Ali Baba ou Les Quarante Voleurs*
| Work
Annals of opera, 1597–1940
CHERUBINI: Anacréon ou L’Amour fugitif*
| Work
Annals of opera, 1597–1940
CHERUBINI: Démophoon*
| Work
Annals of opera, 1597–1940
CHERUBINI: Elisa ou Le Voyage au Mont-Bernard*
| Work
Annals of opera, 1597–1940
CHERUBINI: Faniska
| Work
Annals of opera, 1597–1940
CHERUBINI: Ifigenia in Aulide
| Work
Annals of opera, 1597–1940
CHERUBINI: L’Hôtellerie portugaise*
| Work
Annals of opera, 1597–1940
CHERUBINI: La finta Principessa
| Work
Annals of opera, 1597–1940
CHERUBINI: Les Abencérages ou L’Étendard de Grenade*
| Work
Annals of opera, 1597–1940
CHERUBINI: Les deux Journées*
| Work
Annals of opera, 1597–1940
CHERUBINI: Lo Sposo di tre, Marito di Nessuna
| Work
Annals of opera, 1597–1940
CHERUBINI: Lodoïska*
| Work
Annals of opera, 1597–1940
CHERUBINI: Médée*
| Work
Annals of opera, 1597–1940
CHERUBINI: Pimmalione*
| Work
Annals of opera, 1597–1940
CHUECA and VALVERDE: La gran Via (The great Road)
| Work
Annals of opera, 1597–1940
CIAMPI: Bertoldo, Bertoldino e Cacasenno
| Work
Annals of opera, 1597–1940
CIAMPI: Il Negligente
| Work
Annals of opera, 1597–1940
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