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A comprehensive reference work dedicated to the musical landscape of Guatemala, the Diccionario is the only resource of its kind to document the country’s diverse musical traditions, institutions, genres, and figures across history. The volume encompasses both popular and classical domains, covering topics from pre-Hispanic sonorities and Indigenous instruments to contemporary popular genres and their cultural impact. It features biographical entries on composers and performers, definitions of musical terms, descriptions of local genres, ensembles, and events, as well as analyses of musical traditions and instruments. Special emphasis is placed on the interaction between Indigenous, colonial, and contemporary influences, offering reflections on Guatemala’s rich musical hybridities—from colonial church music and the national conservatory tradition to electro-acoustic and popular practices rooted in Indigenous heritage. Extensive cross-referencing and thematic bibliographies support the exploration of historical, cultural, and stylistic connections across the repertoire. Designed as both a scholarly and educational resource, the volume serves musicians, researchers, and students interested in the musical heritage of Guatemala and Central America. It stands as an essential contribution to the study and preservation of Guatemala’s multifaceted musical identity.