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Annals of opera, 1597–1940
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CILEA: Adriana Lecouvreur*
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Annals of opera, 1597–1940
CILEA: Gloria
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Annals of opera, 1597–1940
CILEA: L’Arlesiana*
| Obra
Annals of opera, 1597–1940
CILEA: La Tilda
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Annals of opera, 1597–1940
CIMADORO: Pimmaglione
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Annals of opera, 1597–1940
CIMAROSA: Chi dell’altrui si veste, presto si spoglia*
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Annals of opera, 1597–1940
CIMAROSA: Giannina e Bernadone
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Annals of opera, 1597–1940
CIMAROSA: Gli Orazi ed i Curiazi*
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Annals of opera, 1597–1940
CIMAROSA: I due Baroni di Rocca Azzurra
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Annals of opera, 1597–1940
CIMAROSA: I due supposti Conti ossia Lo Sposo senza Moglie* ossia Lo Sposo senza Moglie*
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Annals of opera, 1597–1940
CIMAROSA: I Nemici generosi
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Annals of opera, 1597–1940
CIMAROSA: I Traci amanti
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Annals of opera, 1597–1940
CIMAROSA: Il Convito
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Annals of opera, 1597–1940
CIMAROSA: Il Falegname
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Annals of opera, 1597–1940
CIMAROSA: Il Fanatico burlato
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Annals of opera, 1597–1940
CIMAROSA: Il Matrimonio segreto*
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Annals of opera, 1597–1940
CIMAROSA: Il Pittor Parigino
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Annals of opera, 1597–1940
CIMAROSA: L’Impresario in Angustie
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Annals of opera, 1597–1940
CIMAROSA: L’Infedeltà fedele
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Annals of opera, 1597–1940
CIMAROSA: L’Italiana in Londra*
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Annals of opera, 1597–1940
CIMAROSA: L’Olimpiade
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Annals of opera, 1597–1940
CIMAROSA: La Ballerina amante
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Annals of opera, 1597–1940
CIMAROSA: La Vergine del Sole
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Annals of opera, 1597–1940
CIMAROSA: Le Astuzie femminili*
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Annals of opera, 1597–1940
CIMAROSA: Le Trame deluse
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Annals of opera, 1597–1940
CIMAROSA: Penelope
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Annals of opera, 1597–1940
CIRILLO: L’Orontea Regina di Egitto
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Annals of opera, 1597–1940
CLAPISSON: La Fanchonnette
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Annals of opera, 1597–1940
CLAPISSON: La Perruche
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Annals of opera, 1597–1940
CLAPISSON: La Promise
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Annals of opera, 1597–1940
CLASING: Mischelli und sein Sohn
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Annals of opera, 1597–1940
CLAYTON: Rosamond
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Annals of opera, 1597–1940
CLAYTON?: Arsinoe, Queen of Cyprus
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Annals of opera, 1597–1940
CLÉRICE: Le Meunier d’Alcala
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Annals of opera, 1597–1940
CLUTSAM: A Summer Night
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Annals of opera, 1597–1940
COATES: Pickwick
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Annals of opera, 1597–1940
COATES: Samuel Pepys
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Annals of opera, 1597–1940
COCCHI: La Maestra
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Annals of opera, 1597–1940
COCCHI: Li Matti per Amore
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Annals of opera, 1597–1940
COCCIA: Caterina di Guise
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Annals of opera, 1597–1940
COCCIA: Clotilda
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Annals of opera, 1597–1940
COELHO: Belkiss
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Annals of opera, 1597–1940
COERNE: Zenobia
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Annals of opera, 1597–1940
COHEN: Les Bleuets
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Annals of opera, 1597–1940
COIGNET AND J. J. ROUSSEAU: Pygmalion
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Annals of opera, 1597–1940
COLASSE: Achile et Polixène
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Annals of opera, 1597–1940
COLASSE: Thétis et Pélée
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Annals of opera, 1597–1940
COLIN: Maitena
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Annals of opera, 1597–1940
COLLING WOOD: Macbeth
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Annals of opera, 1597–1940
COLONNA: La Proserpina rapita
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Annals of opera, 1597–1940
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