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Annals of opera, 1597–1940
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CONFORTO: Nitteti
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Annals of opera, 1597–1940
CONRADI: Gensericus
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Annals of opera, 1597–1940
CONVERSE: The Pipe of Desire
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Annals of opera, 1597–1940
CONVERSE: The Sacrifice
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Annals of opera, 1597–1940
COPPOLA: Enrichetta Baienfeld ossia La Festa della Rosa
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Annals of opera, 1597–1940
COPPOLA: Giovanna Prima, Regina di Napoli
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Annals of opera, 1597–1940
COPPOLA: Gli Illinesi
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Annals of opera, 1597–1940
COPPOLA: La Pazza per Amore
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Annals of opera, 1597–1940
COQUARD: La Troupe Jolicœur
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Annals of opera, 1597–1940
CORDEIRO DA SILVA: Bauce e Palemone
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Annals of opera, 1597–1940
CORDELLA: Gli Avventurieri
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Annals of opera, 1597–1940
CORDER: Nordisa
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Annals of opera, 1597–1940
CORNACCHIOLI: Diana schernita
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Annals of opera, 1597–1940
CORNELIUS: Der Barbier von Bagdad*
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Annals of opera, 1597–1940
CORNELIUS: Der Cid
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Annals of opera, 1597–1940
CORRI: The Travellers; or, Music’s Fascination
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Annals of opera, 1597–1940
CORSELLI: Alessandro nell’ Indie
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Annals of opera, 1597–1940
COSSOUL: A Cisterna do Diabo (The Devil’s Cistern)
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Annals of opera, 1597–1940
COSTA: Don Carlos
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Annals of opera, 1597–1940
COSTA: Malek Adel
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Annals of opera, 1597–1940
COTTRAU: Griselda
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Annals of opera, 1597–1940
COURVOISIER: Lanzelot und Elaine
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Annals of opera, 1597–1940
COWEN: Harold; or, The Norman Conquest
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Annals of opera, 1597–1940
COWEN: Pauline
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Annals of opera, 1597–1940
COWEN: Signa
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Annals of opera, 1597–1940
COWEN: Thorgrim
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Annals of opera, 1597–1940
CRAS: Polyphème
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Annals of opera, 1597–1940
CSÁSZÁR: A Kúnok (The Cumans)
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Annals of opera, 1597–1940
CURSCHMANN: Abdul und Erinieh oder Die Toten
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Annals of opera, 1597–1940
CURTI: Lili-Tsee
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Annals of opera, 1597–1940
CUYÁS: La Fattuchiera
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Annals of opera, 1597–1940
D’ALBERT: Der Golem
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Annals of opera, 1597–1940
D’ALBERT: Der Rubin
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Annals of opera, 1597–1940
D’ALBERT: Die Abreise*
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Annals of opera, 1597–1940
D’ALBERT: Die schwarze Orchidee
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Annals of opera, 1597–1940
D’ALBERT: Die toten Augen*
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Annals of opera, 1597–1940
D’ALBERT: Flauto Solo
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Annals of opera, 1597–1940
D’ALBERT: Izeyl
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Annals of opera, 1597–1940
D’ALBERT: Kain
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Annals of opera, 1597–1940
D’ALBERT: Tiefland*
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Annals of opera, 1597–1940
d’Almeida: La Pazienza di Socrate
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Annals of opera, 1597–1940
d’ALMEIDA: La Spinalba o vero Il Vecchio matto*
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Annals of opera, 1597–1940
D’ARNEIRO: L’Elisire di Giovinezza
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Annals of opera, 1597–1940
d’AVOSSA: La Pupilla
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Annals of opera, 1597–1940
D’HARCOURT: Le Tasse
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Annals of opera, 1597–1940
D’INDY: Fervaal*
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Annals of opera, 1597–1940
D’INDY: L’Éranger
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Annals of opera, 1597–1940
D’INDY: La Légende de Saint Christophe
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Annals of opera, 1597–1940
D’IVRY: Les Amants de Vérone
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Annals of opera, 1597–1940
D’OLLONE: L’Arlequin
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Annals of opera, 1597–1940
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