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Annals of opera, 1597–1940
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BRÜLL: Gringoire
| Opera
Annals of opera, 1597–1940
BRUNEAU: Angelo, Tyran de Padoue
| Opera
Annals of opera, 1597–1940
BRUNEAU: L’Attaque du Moulin
| Opera
Annals of opera, 1597–1940
BRUNEAU: L’Enfant Roi
| Opera
Annals of opera, 1597–1940
BRUNEAU: L’Ouragan
| Opera
Annals of opera, 1597–1940
BRUNEAU: Le Rêve*
| Opera
Annals of opera, 1597–1940
BRUNEAU: Le Roi Candaule
| Opera
Annals of opera, 1597–1940
BRUNEAU: Les quatre Journées
| Opera
Annals of opera, 1597–1940
BRUNEAU: Messidor
| Opera
Annals of opera, 1597–1940
BRUNEAU: Naïs Micoulin
| Opera
Annals of opera, 1597–1940
BRUNEAU: Virginie
| Opera
Annals of opera, 1597–1940
BRUNI: Le Major Palmer
| Opera
Annals of opera, 1597–1940
BRUNI: Toberne ou Le Pêcheur suédois
| Opera
Annals of opera, 1597–1940
BRUSA: Le Statue
| Opera
Annals of opera, 1597–1940
BRYSON: The Leper’s Flute
| Opera
Annals of opera, 1597–1940
BUCK: Deseret; or, A Saint’s Affliction
| Opera
Annals of opera, 1597–1940
BUFFIN: Kaatje
| Opera
Annals of opera, 1597–1940
BUINI: Il Malmocor
| Opera
Annals of opera, 1597–1940
BULANT: Zbitenshchik Збитеньщикь (The Seller of Mead)
| Opera
Annals of opera, 1597–1940
BUNGERT: Kirke
| Opera
Annals of opera, 1597–1940
BUNGERT: Nausikaa
| Opera
Annals of opera, 1597–1940
BUNGERT: Odysseus’ Tod
| Opera
Annals of opera, 1597–1940
BUNGERT: Odysseus’Heimkehr
| Opera
Annals of opera, 1597–1940
BUNNING: Princesse Osra
| Opera
Annals of opera, 1597–1940
BUONGIORNO: Das Mädchenherz
| Opera
Annals of opera, 1597–1940
BUSONI: Die Brautwahl*
| Opera
Annals of opera, 1597–1940
BUSONI: Turandot* and Arlecchino*
| Opera
Annals of opera, 1597–1940
BUSTINI: Maria Dulcis
| Opera
Annals of opera, 1597–1940
BUZZI: Saul
| Opera
Annals of opera, 1597–1940
C. A. NIELSEN: Maskarade*
| Opera
Annals of opera, 1597–1940
C. A. NIELSEN: Saul og David*
| Opera
Annals of opera, 1597–1940
C. CONTI: Olimpia
| Opera
Annals of opera, 1597–1940
C. E. DI BARBIERI: Perdita oder Ein Wintermärchen
| Opera
Annals of opera, 1597–1940
C. ERLANGER: Aphrodite
| Opera
Annals of opera, 1597–1940
C. ERLANGER: Le Juif Polonais
| Opera
Annals of opera, 1597–1940
C. L. A. VOGEL: Le Siège de Leyde, 1574
| Opera
Annals of opera, 1597–1940
C. LOEWE: Die drei Wünsche
| Opera
Annals of opera, 1597–1940
C. M. VON WEBER: Abu Hassan*
| Opera
Annals of opera, 1597–1940
C. M. VON WEBER: Das Waldmädchen
| Opera
Annals of opera, 1597–1940
C. M. VON WEBER: Euryanthe*
| Opera
Annals of opera, 1597–1940
C. M. VON WEBER: Peter Schmoll und seine Nachbarn*
| Opera
Annals of opera, 1597–1940
C. M. VON WEBER: Preciosa*
| Opera
Annals of opera, 1597–1940
C. M. VON WEBER: Silvana
| Opera
Annals of opera, 1597–1940
C. PALLAVICINO: Galieno
| Opera
Annals of opera, 1597–1940
C. PALLAVICINO: Il Vespasiano
| Opera
Annals of opera, 1597–1940
C. PALLAVICINO: L’Amazone Corsara
| Opera
Annals of opera, 1597–1940
C. PALLAVICINO: La Gierusalemme liberata
| Opera
Annals of opera, 1597–1940
C. PALLAVICINO: Le Amazoni nell’ Isole fortunate
| Opera
Annals of opera, 1597–1940
C. PALLAVICINO: Massimo Puppieno
| Opera
Annals of opera, 1597–1940
C. PALLAVICINO: Penelope la Casta
| Opera
Annals of opera, 1597–1940
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