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Annals of opera, 1597–1940
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CONFORTO: Nitteti
| Opera
Annals of opera, 1597–1940
CONRADI: Gensericus
| Opera
Annals of opera, 1597–1940
CONVERSE: The Pipe of Desire
| Opera
Annals of opera, 1597–1940
CONVERSE: The Sacrifice
| Opera
Annals of opera, 1597–1940
COPPOLA: Enrichetta Baienfeld ossia La Festa della Rosa
| Opera
Annals of opera, 1597–1940
COPPOLA: Giovanna Prima, Regina di Napoli
| Opera
Annals of opera, 1597–1940
COPPOLA: Gli Illinesi
| Opera
Annals of opera, 1597–1940
COPPOLA: La Pazza per Amore
| Opera
Annals of opera, 1597–1940
COQUARD: La Troupe Jolicœur
| Opera
Annals of opera, 1597–1940
CORDEIRO DA SILVA: Bauce e Palemone
| Opera
Annals of opera, 1597–1940
CORDELLA: Gli Avventurieri
| Opera
Annals of opera, 1597–1940
CORDER: Nordisa
| Opera
Annals of opera, 1597–1940
CORNACCHIOLI: Diana schernita
| Opera
Annals of opera, 1597–1940
CORNELIUS: Der Barbier von Bagdad*
| Opera
Annals of opera, 1597–1940
CORNELIUS: Der Cid
| Opera
Annals of opera, 1597–1940
CORRI: The Travellers; or, Music’s Fascination
| Opera
Annals of opera, 1597–1940
CORSELLI: Alessandro nell’ Indie
| Opera
Annals of opera, 1597–1940
COSSOUL: A Cisterna do Diabo (The Devil’s Cistern)
| Opera
Annals of opera, 1597–1940
COSTA: Don Carlos
| Opera
Annals of opera, 1597–1940
COSTA: Malek Adel
| Opera
Annals of opera, 1597–1940
COTTRAU: Griselda
| Opera
Annals of opera, 1597–1940
COURVOISIER: Lanzelot und Elaine
| Opera
Annals of opera, 1597–1940
COWEN: Harold; or, The Norman Conquest
| Opera
Annals of opera, 1597–1940
COWEN: Pauline
| Opera
Annals of opera, 1597–1940
COWEN: Signa
| Opera
Annals of opera, 1597–1940
COWEN: Thorgrim
| Opera
Annals of opera, 1597–1940
CRAS: Polyphème
| Opera
Annals of opera, 1597–1940
CSÁSZÁR: A Kúnok (The Cumans)
| Opera
Annals of opera, 1597–1940
CURSCHMANN: Abdul und Erinieh oder Die Toten
| Opera
Annals of opera, 1597–1940
CURTI: Lili-Tsee
| Opera
Annals of opera, 1597–1940
CUYÁS: La Fattuchiera
| Opera
Annals of opera, 1597–1940
D’ALBERT: Der Golem
| Opera
Annals of opera, 1597–1940
D’ALBERT: Der Rubin
| Opera
Annals of opera, 1597–1940
D’ALBERT: Die Abreise*
| Opera
Annals of opera, 1597–1940
D’ALBERT: Die schwarze Orchidee
| Opera
Annals of opera, 1597–1940
D’ALBERT: Die toten Augen*
| Opera
Annals of opera, 1597–1940
D’ALBERT: Flauto Solo
| Opera
Annals of opera, 1597–1940
D’ALBERT: Izeyl
| Opera
Annals of opera, 1597–1940
D’ALBERT: Kain
| Opera
Annals of opera, 1597–1940
D’ALBERT: Tiefland*
| Opera
Annals of opera, 1597–1940
d’Almeida: La Pazienza di Socrate
| Opera
Annals of opera, 1597–1940
d’ALMEIDA: La Spinalba o vero Il Vecchio matto*
| Opera
Annals of opera, 1597–1940
D’ARNEIRO: L’Elisire di Giovinezza
| Opera
Annals of opera, 1597–1940
d’AVOSSA: La Pupilla
| Opera
Annals of opera, 1597–1940
D’HARCOURT: Le Tasse
| Opera
Annals of opera, 1597–1940
D’INDY: Fervaal*
| Opera
Annals of opera, 1597–1940
D’INDY: L’Éranger
| Opera
Annals of opera, 1597–1940
D’INDY: La Légende de Saint Christophe
| Opera
Annals of opera, 1597–1940
D’IVRY: Les Amants de Vérone
| Opera
Annals of opera, 1597–1940
D’OLLONE: L’Arlequin
| Opera
Annals of opera, 1597–1940
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