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Annals of opera, 1597–1940
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D’OLLONE: Le Retour
| Opera
Annals of opera, 1597–1940
D. MAZZOCCHI: La Catena d’Adone
| Opera
Annals of opera, 1597–1940
D. SCARLATTI: Amor d’un Ombra e Gelosia d’un Aura
| Opera
Annals of opera, 1597–1940
DA SILVA: La Galatea
| Opera
Annals of opera, 1597–1940
DADDI: O Salteador (The Highwayman)
| Opera
Annals of opera, 1597–1940
DALAYRAC: Adèle et Dorsan
| Opera
Annals of opera, 1597–1940
DALAYRAC: Adolphe et Clara ou Les deux Prisonniers
| Opera
Annals of opera, 1597–1940
DALAYRAC: Alexis ou L’Erreur d’un bon Père
| Opera
Annals of opera, 1597–1940
DALAYRAC: Ambroise ou Voilà ma Journée
| Opera
Annals of opera, 1597–1940
DALAYRAC: Azémia, ou Le nouveau Robinson
| Opera
Annals of opera, 1597–1940
DALAYRAC: Camille ou Le Souterrain
| Opera
Annals of opera, 1597–1940
DALAYRAC: Deux Mots ou Une Nuit dans la Forêt
| Opera
Annals of opera, 1597–1940
DALAYRAC: Gulistan ou Le Hulla de Samarcande
| Opera
Annals of opera, 1597–1940
DALAYRAC: Gulnare ou L’Esclave persane
| Opera
Annals of opera, 1597–1940
DALAYRAC: Koulouf, ou Les Chinois
| Opera
Annals of opera, 1597–1940
DALAYRAC: L’Antichambre ou Les Valets entre eux
| Opera
Annals of opera, 1597–1940
DALAYRAC: La Dot
| Opera
Annals of opera, 1597–1940
DALAYRAC: La jeune Prude, ou Les Femmes entre elles
| Opera
Annals of opera, 1597–1940
DALAYRAC: La Maison isolée ou Le Vieillard des Vosges
| Opera
Annals of opera, 1597–1940
DALAYRAC: La Soirée orageuse
| Opera
Annals of opera, 1597–1940
DALAYRAC: Léhéman ou La Tour de Newstadt
| Opera
Annals of opera, 1597–1940
DALAYRAC: Léon ou Le Château de Montenero
| Opera
Annals of opera, 1597–1940
DALAYRAC: Les deux petits Savoyards
| Opera
Annals of opera, 1597–1940
DALAYRAC: Maison à vendre
| Opera
Annals of opera, 1597–1940
DALAYRAC: Marianne
| Opera
Annals of opera, 1597–1940
DALAYRAC: Nina, ou La Folk par Amour
| Opera
Annals of opera, 1597–1940
DALAYRAC: Philippe et Georgette
| Opera
Annals of opera, 1597–1940
DALAYRAC: Raoul, Sire de Créqui
| Opera
Annals of opera, 1597–1940
DALAYRAC: Renaud d’Ast
| Opera
Annals of opera, 1597–1940
DALAYRAC: Sargines, ou L’Elève de l’Amour
| Opera
Annals of opera, 1597–1940
DALAYRAC: Une Heure de Mariage
| Opera
Annals of opera, 1597–1940
DAMROSCH: Cyrano
| Opera
Annals of opera, 1597–1940
DAMROSCH: The Man without a Country
| Opera
Annals of opera, 1597–1940
DAMROSCH: The scarlet Letter
| Opera
Annals of opera, 1597–1940
DANZI: Die Mitternachtsstunde
| Opera
Annals of opera, 1597–1940
DARGOMUIZHSKY: Esmeralda Эсмеральда
| Opera
Annals of opera, 1597–1940
DARGOMUIZHSKY: Rusalka* Русалка
| Opera
Annals of opera, 1597–1940
DASSOUCY: Andromède
| Opera
Annals of opera, 1597–1940
DAUVERGNE: Enée et Lavinie
| Opera
Annals of opera, 1597–1940
DAUVERGNE: La Coquette trompée*
| Opera
Annals of opera, 1597–1940
DAUVERGNE: Les Troqueurs*
| Opera
Annals of opera, 1597–1940
DAVICO: La Dogaressa
| Opera
Annals of opera, 1597–1940
DAVIDOV: Potonuvshy Kolokol Потонувши Колоколъ (The Sunken Bell)
| Opera
Annals of opera, 1597–1940
DAVIES: The Forest Rose; or, American Farmers
| Opera
Annals of opera, 1597–1940
DE BOECK: En Winternachtsdroom (A Winter Night’s Dream)
| Opera
Annals of opera, 1597–1940
DE BOECK: La Route d’Émeraude
| Opera
Annals of opera, 1597–1940
DE FERRARI: Pipelè ossia Il Portinaio di Parigi
| Opera
Annals of opera, 1597–1940
DE GIOSA: Don Checco
| Opera
Annals of opera, 1597–1940
DE GIOSA: Napoli di Carnovale
| Opera
Annals of opera, 1597–1940
DE HAAN: Die Kaiserstochter
| Opera
Annals of opera, 1597–1940
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