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Annals of opera, 1597–1940
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(MASSENET): Panurge
| Opera
Annals of opera, 1597–1940
(MÉHUL): Valentine de Milan
| Opera
Annals of opera, 1597–1940
(MENDELSSOHN): Die Heimkehr aus der Fremde
| Opera
Annals of opera, 1597–1940
(MEYERBEER): L’Africaine*
| Opera
Annals of opera, 1597–1940
(MOSONYI): Álmos
| Opera
Annals of opera, 1597–1940
(MOZART): L’Oie du Caire*
| Opera
Annals of opera, 1597–1940
(MOZART): Zaide*
| Opera
Annals of opera, 1597–1940
(MUSORGSKY): Khovanshchina*
| Opera
Annals of opera, 1597–1940
(MUSORGSKY): Sorochinskaya Yarmarka* СοΡοЧИНсқаЯ ЯΡΜаΡҚа (The Fair of Sorochintsy)
| Opera
Annals of opera, 1597–1940
(MUSORGSKY): Zhenitba Женитьба (The Marriage)*
| Opera
Annals of opera, 1597–1940
(OFFENBACH): Der Goldschmied von Toledo
| Opera
Annals of opera, 1597–1940
(OFFENBACH): Les Contes d’Hoffmann*
| Opera
Annals of opera, 1597–1940
(PACINI): Niccolo dei Lapi
| Opera
Annals of opera, 1597–1940
(PEPUSCH and) ARNOLD: Polly
| Opera
Annals of opera, 1597–1940
(PONCHIELLI): I Mori di Valenza
| Opera
Annals of opera, 1597–1940
(PUCCINI): Turandot*
| Opera
Annals of opera, 1597–1940
(R. WAGNER): Die Feen*
| Opera
Annals of opera, 1597–1940
(RESPIGHI): Lucrezia*
| Opera
Annals of opera, 1597–1940
(RIMSKY-KORSAKOV): Zolotoy Pyetushok Золотой Пѣтшокъ (The Golden Cockerel)*
| Opera
Annals of opera, 1597–1940
(SACCHINI): Arvire et Evelina
| Opera
Annals of opera, 1597–1940
(SCHUBERT): Alfonso und Estrella*
| Opera
Annals of opera, 1597–1940
(SCHUBERT): Der vierjährige Posten
| Opera
Annals of opera, 1597–1940
(SCHUBERT): Die Freunde von Salamanca
| Opera
Annals of opera, 1597–1940
(SCHUBERT): Die Verschworenen oder Der häusliche Krieg*
| Opera
Annals of opera, 1597–1940
(SCHUBERT): Fernando*
| Opera
Annals of opera, 1597–1940
(SCHUBERT): Fierrabras*
| Opera
Annals of opera, 1597–1940
(SEROV): Vrazhya Sila (The Power of Evil)
| Opera
Annals of opera, 1597–1940
(STANFORD): The Travelling Companion
| Opera
Annals of opera, 1597–1940
(STEPHAN): Die ersten Menschen
| Opera
Annals of opera, 1597–1940
(STRADELLA): Il Trespolo Tutore balordo
| Opera
Annals of opera, 1597–1940
(THRANE): Fjeldeventyret (Mountain Adventure)
| Opera
Annals of opera, 1597–1940
(VILLANUEVA): Keofar
| Opera
Annals of opera, 1597–1940
20th Century Revivals
| Opera
Annals of opera, 1597–1940
[audinot] : Le Tonnelier
| Opera
Annals of opera, 1597–1940
[copyright page]
| Prefazione/postfazione
Annals of opera, 1597–1940
[dedication]
| Prefazione/postfazione
Annals of opera, 1597–1940
[DUNI] : Le Caprice amoureux ou Ninette à la Cour
| Opera
Annals of opera, 1597–1940
[epigraph]
| Prefazione/postfazione
Annals of opera, 1597–1940
[HAYDN]: Die Ochsenmenuette
| Opera
Annals of opera, 1597–1940
[pepusch]: The Beggar’s Opera*
| Opera
Annals of opera, 1597–1940
[PEPUSCH]: Thomyris, Queen of Scythia
| Opera
Annals of opera, 1597–1940
[PHILIDOR]: Le Diable à quatre ou La double Metamorphose
| Opera
Annals of opera, 1597–1940
[ROSSINI]: Ivanhoé
| Opera
Annals of opera, 1597–1940
A. BERG: Wozzeck*
| Opera
Annals of opera, 1597–1940
A. E. FESCA: Der Troubadour
| Opera
Annals of opera, 1597–1940
A. FOERSTER: Gorenjski Slavček (Nightingale of Carniola) (Nightingale of Carniola)
| Opera
Annals of opera, 1597–1940
A. G. THOMAS: Esmeralda
| Opera
Annals of opera, 1597–1940
A. KALNIŅŠ: Dzimtenes Atmoda (The Country’s Awakening)
| Opera
Annals of opera, 1597–1940
A. KALNIN̨Š: Banuta
| Opera
Annals of opera, 1597–1940
A. OREFICE AND MANCINI: L’Engelberta o sia La Forza dell’Innocenza
| Opera
Annals of opera, 1597–1940
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Annals of opera, 1597–1940
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