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Annals of opera, 1597–1940
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FRANCHETTI: La Figlia di Jorio
| Opera
Annals of opera, 1597–1940
FRANCHETTI: Notte di Leggenda
| Opera
Annals of opera, 1597–1940
FRANCKENSTEIN: Des Kaisers Dichter
| Opera
Annals of opera, 1597–1940
FRÄNZL: Carlo Fioras oder Der Stumme in der Sierra Morena
| Opera
Annals of opera, 1597–1940
FREITAS GAZUL: Fra Luigi di Sousa
| Opera
Annals of opera, 1597–1940
FRESCHI: Berenice vendicativa
| Opera
Annals of opera, 1597–1940
FRESCHI: Helena rapita da Paride
| Opera
Annals of opera, 1597–1940
FRESCHI: Olimpia vendicata
| Opera
Annals of opera, 1597–1940
FRIDZERI: Les Souliers mors-dorés ou La Cordonnière Allemande
| Opera
Annals of opera, 1597–1940
FRY: Leonora
| Opera
Annals of opera, 1597–1940
FRY: Notre-Dame of Paris
| Opera
Annals of opera, 1597–1940
FÜCHS: Guttenberg
| Opera
Annals of opera, 1597–1940
FUERTES: EL Tío Caniyitas, o El Mundo Nuevo di Cádiz (Goodfellow Caniyitas, or The New World of Cádiz)
| Opera
Annals of opera, 1597–1940
FUX: Costanza e Fortezza
| Opera
Annals of opera, 1597–1940
FUX: Elisa
| Opera
Annals of opera, 1597–1940
G FERRARI1: Le Cobzar
| Opera
Annals of opera, 1597–1940
G. B. CORONARO: Festa a Marina
| Opera
Annals of opera, 1597–1940
G. BENDA: Ariadne auf Naxos*
| Opera
Annals of opera, 1597–1940
G. BENDA: Der Dorfjahrmarkt
| Opera
Annals of opera, 1597–1940
G. BENDA: Der Holzhauer oder Die drei Wünsche oder Die drei Wünsche
| Opera
Annals of opera, 1597–1940
G. BENDA: Medea
| Opera
Annals of opera, 1597–1940
G. BENDA: Pygmalion
| Opera
Annals of opera, 1597–1940
G. BENDA: Romeo und Julie
| Opera
Annals of opera, 1597–1940
G. BENDA: Walder*
| Opera
Annals of opera, 1597–1940
G. BONONCINI: Astarto*
| Opera
Annals of opera, 1597–1940
G. BONONCINI: Astianatte
| Opera
Annals of opera, 1597–1940
G. BONONCINI: Crispo
| Opera
Annals of opera, 1597–1940
G. BONONCINI: Polifemo*
| Opera
Annals of opera, 1597–1940
G. BONONCINI?: Almahide
| Opera
Annals of opera, 1597–1940
G. CACCINI: Il Rapimento di Cefalo
| Opera
Annals of opera, 1597–1940
G. CACCINI: L’Euridice
| Opera
Annals of opera, 1597–1940
G. CHARPENTIER: Julien ou La Vie du Poète
| Opera
Annals of opera, 1597–1940
G. CHARPENTIER: Louise*
| Opera
Annals of opera, 1597–1940
G. CORONARO: Un Tramonto
| Opera
Annals of opera, 1597–1940
G. F. MALIPIERO: Antonio e Cleopatra
| Opera
Annals of opera, 1597–1940
G. F. MALIPIERO: Der falsche Harlekin
| Opera
Annals of opera, 1597–1940
G. F. MALIPIERO: Die Legende vom vertauschten Sohn
| Opera
Annals of opera, 1597–1940
G. F. MALIPIERO: Filomela und ihr Narr*
| Opera
Annals of opera, 1597–1940
G. F. MALIPIERO: Giulio Cesare
| Opera
Annals of opera, 1597–1940
G. F. MALIPIERO: Komödie des Todes*
| Opera
Annals of opera, 1597–1940
G. F. MALIPIERO: L’Orfeide*
| Opera
Annals of opera, 1597–1940
G. F. MALIPIERO: Mysterium Venedigs
| Opera
Annals of opera, 1597–1940
G. F. MALIPIERO: Sept Chansons*
| Opera
Annals of opera, 1597–1940
G. OREFICE: Chopin
| Opera
Annals of opera, 1597–1940
G. OREFICE: Radda
| Opera
Annals of opera, 1597–1940
G. SCARLATTI: I portentosi Effetti della Madre Natura
| Opera
Annals of opera, 1597–1940
G. SCARLATTI: L’Isola disabitata
| Opera
Annals of opera, 1597–1940
G. SCHMIDT: La Réole
| Opera
Annals of opera, 1597–1940
G. SCHMIDT: Prinz Eugen, der edle Ritter
| Opera
Annals of opera, 1597–1940
G. SCHMIDT: Weibertreue oder Kaiser Konrad vor Weinsberg
| Opera
Annals of opera, 1597–1940
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Annals of opera, 1597–1940
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