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Annals of opera, 1597–1940
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GABRIELI: Il Mauritio
| Opera
Annals of opera, 1597–1940
GADE: Mariotta
| Opera
Annals of opera, 1597–1940
GAGLIANO AND J. PERI: La Flora, o vero Il Natal de’ Fiori
| Opera
Annals of opera, 1597–1940
GAGLIANO: Il Medoro
| Opera
Annals of opera, 1597–1940
GAGLIANO: La Dafne*
| Opera
Annals of opera, 1597–1940
GAITO: Cayo Petronio
| Opera
Annals of opera, 1597–1940
GÁL: Die heilige Ente
| Opera
Annals of opera, 1597–1940
GALEOTTI: Anton
| Opera
Annals of opera, 1597–1940
GALLIARD: Calypso and Telemachus
| Opera
Annals of opera, 1597–1940
GALUPPI: Alessandro nell’Indie
| Opera
Annals of opera, 1597–1940
GALUPPI: Ifigenia in Tauride
| Opera
Annals of opera, 1597–1940
GALUPPI: Il Conte Caramella
| Opera
Annals of opera, 1597–1940
GALUPPI: Il Filosofo di Campagna*
| Opera
Annals of opera, 1597–1940
GALUPPI: Il Marchese Villano
| Opera
Annals of opera, 1597–1940
GALUPPI: Il Mondo alla Roversa o sia Le Donne che comandano
| Opera
Annals of opera, 1597–1940
GALUPPI: Il Mondo della Luna*
| Opera
Annals of opera, 1597–1940
GALUPPI: L’Amante di tutte*
| Opera
Annals of opera, 1597–1940
GALUPPI: L’Arcadia in Brenta
| Opera
Annals of opera, 1597–1940
GALUPPI: L’Olimpiade
| Opera
Annals of opera, 1597–1940
GALUPPI: La Calamita de Cuori
| Opera
Annals of opera, 1597–1940
GALUPPI: Le Nozze
| Opera
Annals of opera, 1597–1940
GALUPPI: Li Tre Amanti ridicoli
| Opera
Annals of opera, 1597–1940
GALUPPI: Penelope
| Opera
Annals of opera, 1597–1940
GALVÁN: Las Foncarraleras (The Maids of Fuencarral)
| Opera
Annals of opera, 1597–1940
GANNE: Hans, le Joueur de Flute*
| Opera
Annals of opera, 1597–1940
GARCIA: El Poeta Calculista
| Opera
Annals of opera, 1597–1940
GARCIA: Il Califfo di Bagdad
| Opera
Annals of opera, 1597–1940
GASCO: La Leggenda delle sette Torri
| Opera
Annals of opera, 1597–1940
GASPARINI: Ambleto
| Opera
Annals of opera, 1597–1940
GASPARINI: Il Più fedel frà i Vassalli
| Opera
Annals of opera, 1597–1940
GASPARINI: La Fede tradita e vendicata
| Opera
Annals of opera, 1597–1940
GASSMANN: Gli Uccellatori
| Opera
Annals of opera, 1597–1940
GASSMANN: L’Amore Artigiano
| Opera
Annals of opera, 1597–1940
GASSMANN: La Contessina*
| Opera
Annals of opera, 1597–1940
GASSMANN: La Notte critica
| Opera
Annals of opera, 1597–1940
GAST: Die heimliche Ehe
| Opera
Annals of opera, 1597–1940
GASTALDON: Mala Pasqua!
| Opera
Annals of opera, 1597–1940
GASTINEL: L’Opéra aux Fenêtres
| Opera
Annals of opera, 1597–1940
GATTI: Scylla
| Opera
Annals of opera, 1597–1940
GATTY: Duke or Devil
| Opera
Annals of opera, 1597–1940
GATTY: Greysteel; or, The Bearsarks come to Surnadale
| Opera
Annals of opera, 1597–1940
GATTY: Prince Ferelon; or, The Princess’s Suitors
| Opera
Annals of opera, 1597–1940
GATTY: The Tempest
| Opera
Annals of opera, 1597–1940
GAUBERT: Naïla
| Opera
Annals of opera, 1597–1940
GAULTIER: Le Triomphe de la Paix
| Opera
Annals of opera, 1597–1940
GAUTIER: Le Docteur Mirabolan
| Opera
Annals of opera, 1597–1940
GAUTIER: Le Mariage extravagant
| Opera
Annals of opera, 1597–1940
GAVEAUX: L’Amour filial
| Opera
Annals of opera, 1597–1940
GAVEAUX: La Famille indigente
| Opera
Annals of opera, 1597–1940
GAVEAUX: Le Bouffe et le Tailleur
| Opera
Annals of opera, 1597–1940
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Annals of opera, 1597–1940
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