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Annals of opera, 1597–1940
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HASSE: Cleofide
| Opera
Annals of opera, 1597–1940
HASSE: Demofoonte
| Opera
Annals of opera, 1597–1940
HASSE: Didone abbandonata
| Opera
Annals of opera, 1597–1940
HASSE: Ezio
| Opera
Annals of opera, 1597–1940
HASSE: Il Ciro riconosciuto
| Opera
Annals of opera, 1597–1940
HASSE: Il Demetrio
| Opera
Annals of opera, 1597–1940
HASSE: Il Sesostrate
| Opera
Annals of opera, 1597–1940
HASSE: Il Trionfo di Clelia
| Opera
Annals of opera, 1597–1940
HASSE: Leucippo
| Opera
Annals of opera, 1597–1940
HASSE: Lucio Papirio
| Opera
Annals of opera, 1597–1940
HASSE: Olimpiade*
| Opera
Annals of opera, 1597–1940
HASSE: Partenope
| Opera
Annals of opera, 1597–1940
HASSE: Piramo e Tisbe*
| Opera
Annals of opera, 1597–1940
HASSE: Ruggiero o vero L’eroica Gratitudine
| Opera
Annals of opera, 1597–1940
HASSE: Semiramide riconosciuta
| Opera
Annals of opera, 1597–1940
HASSE: Siroe Rè di Persia
| Opera
Annals of opera, 1597–1940
HASSE: Solimano
| Opera
Annals of opera, 1597–1940
HASSE: Tigrane
| Opera
Annals of opera, 1597–1940
HASSE: Tito Vespasiano ovvero La Clemenza di Tito
| Opera
Annals of opera, 1597–1940
HATTON : Pasqual Bruno
| Opera
Annals of opera, 1597–1940
HAUG: Madrisa
| Opera
Annals of opera, 1597–1940
HAUSEGGER: Zinnober
| Opera
Annals of opera, 1597–1940
HAYDN: Armida*
| Opera
Annals of opera, 1597–1940
HAYDN: Der neue krumme Teufel 1
| Opera
Annals of opera, 1597–1940
HAYDN: Il Mondo della Luna*
| Opera
Annals of opera, 1597–1940
HAYDN: L’Incontro improviso*
| Opera
Annals of opera, 1597–1940
HAYDN: L’Infedeltà delusa*
| Opera
Annals of opera, 1597–1940
HAYDN: L’Isola disabitata*
| Opera
Annals of opera, 1597–1940
HAYDN: La Canterina*
| Opera
Annals of opera, 1597–1940
HAYDN: La Fedeltà premiata*
| Opera
Annals of opera, 1597–1940
HAYDN: La vera Co stanza*
| Opera
Annals of opera, 1597–1940
HAYDN: Lo Speziale*
| Opera
Annals of opera, 1597–1940
HAYDN: Orlando Paladino*
| Opera
Annals of opera, 1597–1940
HEGER: Der Bettler Namenlos
| Opera
Annals of opera, 1597–1940
HEINICHEN: Calfurnia
| Opera
Annals of opera, 1597–1940
HEINICHEN: Paris und Helena oder Der glückliche Liebeswechsel
| Opera
Annals of opera, 1597–1940
HEISE: Drot og Marsk (King and Marshal)
| Opera
Annals of opera, 1597–1940
HEISE: Paschaens Datter (The Pasha’s Daughter)
| Opera
Annals of opera, 1597–1940
HERBERT: Natoma
| Opera
Annals of opera, 1597–1940
HERNANDO: Colegialas y Soldados (College Girls and Soldiers)
| Opera
Annals of opera, 1597–1940
HERNANDO: El Duende (The Ghost)
| Opera
Annals of opera, 1597–1940
HÉROLD: La Clochette ou Le Diable Page
| Opera
Annals of opera, 1597–1940
HÉROLD: Le Muletier
| Opera
Annals of opera, 1597–1940
HÉROLD: Le Pré aux Clercs*
| Opera
Annals of opera, 1597–1940
HÉROLD: Les Rosières
| Opera
Annals of opera, 1597–1940
HÉROLD: Les Troqueurs
| Opera
Annals of opera, 1597–1940
HÉROLD: Marie
| Opera
Annals of opera, 1597–1940
HÉROLD: Zampa ou La Fiancée de Marbre*
| Opera
Annals of opera, 1597–1940
HERVÉ: Chilpéric
| Opera
Annals of opera, 1597–1940
HERVÉ: L’Œil crevé
| Opera
Annals of opera, 1597–1940
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Annals of opera, 1597–1940
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