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Annals of opera, 1597–1940
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ADAM: Le Postillon de Longjumeau*
| Opera
Annals of opera, 1597–1940
ADAM: Le Roi d’Yvetot
| Opera
Annals of opera, 1597–1940
ADAM: Le Sourd ou L’Auberge Pleine
| Opera
Annals of opera, 1597–1940
ADAM: Le Toréador ou L’Accord parfait
| Opera
Annals of opera, 1597–1940
ADAM: Les Pantins de Violette
| Opera
Annals of opera, 1597–1940
ADAM: Régine ou Les deux Nuits
| Opera
Annals of opera, 1597–1940
ADAM: Si j’étais Roi*
| Opera
Annals of opera, 1597–1940
ADELBURG: Zrinyi
| Opera
Annals of opera, 1597–1940
ADRAN: L’Enlèvement de la Toledad
| Opera
Annals of opera, 1597–1940
AGAZZARI: Eumelio*
| Opera
Annals of opera, 1597–1940
AGNESI: Ciro in Armenia
| Opera
Annals of opera, 1597–1940
AGOSTINI: Il Ratto delle Sabine
| Opera
Annals of opera, 1597–1940
ÅHLSTRÖM: Frigga
| Opera
Annals of opera, 1597–1940
AIBLINGER: Rodrigo und Zimene
| Opera
Annals of opera, 1597–1940
ALALEONA: Mirra
| Opera
Annals of opera, 1597–1940
ALARY: La Voix humaine
| Opera
Annals of opera, 1597–1940
ALARY: Le tre Nozze
| Opera
Annals of opera, 1597–1940
ALBÉNIZ: Enrico Clifford
| Opera
Annals of opera, 1597–1940
ALBÉNIZ: Pepita Jiménez*
| Opera
Annals of opera, 1597–1940
ALBÉNIZ: San Antonio de la Florida
| Opera
Annals of opera, 1597–1940
ALBÉNIZ: The magic Opal
| Opera
Annals of opera, 1597–1940
ALBERTINI: Don Juan, albo Ukarany Libertyn
| Opera
Annals of opera, 1597–1940
ALDROVANDINI: Mitridate in Sebastia
| Opera
Annals of opera, 1597–1940
ALESSANDRI: Il Vecchio geloso
| Opera
Annals of opera, 1597–1940
ALFANO: Cyrano di Bergerac*
| Opera
Annals of opera, 1597–1940
ALFANO: Il Principe Zilah
| Opera
Annals of opera, 1597–1940
ALFANO: L’Ombra di Don Giovanni*
| Opera
Annals of opera, 1597–1940
ALFANO: L’ultimo Lord
| Opera
Annals of opera, 1597–1940
ALFANO: La Leggenda di Sakuntala*
| Opera
Annals of opera, 1597–1940
ALFANO: Madonna Imperia
| Opera
Annals of opera, 1597–1940
ALFANO: Risurrezione*
| Opera
Annals of opera, 1597–1940
ALPAERTS: Shylock
| Opera
Annals of opera, 1597–1940
ALYABYEV: Lunnaya Noch, ili Domovye Лунная Ночь или Домовые (The Moon Night; or, The House Spirits)
| Opera
Annals of opera, 1597–1940
ANDRÉ: Belmont und Constanze oder Die Entführung aus dem Serail
| Opera
Annals of opera, 1597–1940
ANDRÉ: Der Liebhaber als Automat oder Die redende Maschine
| Opera
Annals of opera, 1597–1940
ANDRÉ: Der Töpfer
| Opera
Annals of opera, 1597–1940
ANDREAE: Abenteuer des Casanova
| Opera
Annals of opera, 1597–1940
ANDREAE: Ratcliff
| Opera
Annals of opera, 1597–1940
ANDREOZZI: La Principessa Filosofa ossia Il Contravveleno
| Opera
Annals of opera, 1597–1940
ANFOSSI: I Viaggiatori felici
| Opera
Annals of opera, 1597–1940
ANFOSSI: Il Curioso indiscreto
| Opera
Annals of opera, 1597–1940
ANFOSSI: Il Geloso in Cimento
| Opera
Annals of opera, 1597–1940
ANFOSSI: L’Avaro
| Opera
Annals of opera, 1597–1940
ANFOSSI: L’Incognita perseguitata
| Opera
Annals of opera, 1597–1940
ANFOSSI: La finta Giardiniera
| Opera
Annals of opera, 1597–1940
ANFOSSI: La vera Costanza
| Opera
Annals of opera, 1597–1940
ANFOSSI: Le Gelosie fortunate
| Opera
Annals of opera, 1597–1940
ANFOSSI: Zenobia di Palmira
| Opera
Annals of opera, 1597–1940
ANNALS OF OPERA
| Prefazione/postfazione
Annals of opera, 1597–1940
ANTHEIL: Helen retires
| Opera
Annals of opera, 1597–1940
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