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Annals of opera, 1597–1940
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ANTHEIL: Transatlantic
| Opera
Annals of opera, 1597–1940
APOLLONI: L’Ebreo
| Opera
Annals of opera, 1597–1940
ARAJA: Cephal i Prokris Цефалъ и Прокрисъ
| Opera
Annals of opera, 1597–1940
ARAJA: La Forza dell’Amore e dell’Odio
| Opera
Annals of opera, 1597–1940
ARDITI: La Spia
| Opera
Annals of opera, 1597–1940
ARENSKY: Rafael
| Opera
Annals of opera, 1597–1940
ARIOSTI: Cajo Marzio Coriolano
| Opera
Annals of opera, 1597–1940
ARIOSTI: La Fede ne Tradimenti
| Opera
Annals of opera, 1597–1940
ARIOSTI: Teuzzone
| Opera
Annals of opera, 1597–1940
ARNOLD: Inkle and Yarico
| Opera
Annals of opera, 1597–1940
ARNOLD: The Banditi; or Love’s Labyrinth
| Opera
Annals of opera, 1597–1940
ARNOLD: The Children in the Wood
| Opera
Annals of opera, 1597–1940
ARNOLD: The Maid of the Mill*
| Opera
Annals of opera, 1597–1940
ARRIETA: El Dominó azul (The Blue Domino)
| Opera
Annals of opera, 1597–1940
ARRIETA: El Grumete (The Cabin Boy)
| Opera
Annals of opera, 1597–1940
ARRIETA: Ildegonda
| Opera
Annals of opera, 1597–1940
ARRIETA: La Conquista di Granada
| Opera
Annals of opera, 1597–1940
ARRIETA: Marina*
| Opera
Annals of opera, 1597–1940
ARROYO: Amore e Perdizione
| Opera
Annals of opera, 1597–1940
ASPELMAYR: Die Kinder der Natur
| Opera
Annals of opera, 1597–1940
ASPESTRAND: Die Seemansbraut
| Opera
Annals of opera, 1597–1940
ASTORGA: Dafni
| Opera
Annals of opera, 1597–1940
ATANASOV: Borislav БорИСЛaВЪ
| Opera
Annals of opera, 1597–1940
ATTERBERG: Bäckahästen (The River Horse)
| Opera
Annals of opera, 1597–1940
ATTERBERG: Fanal
| Opera
Annals of opera, 1597–1940
ATTERBERG: Härvard Harpolekare*
| Opera
Annals of opera, 1597–1940
AUBER AND OTHERS: La Marquise de Brinvilliers
| Opera
Annals of opera, 1597–1940
AUBER Le Maçon
| Opera
Annals of opera, 1597–1940
AUBER: Actéon
| Opera
Annals of opera, 1597–1940
AUBER: Emma ou La Promesse imprudente
| Opera
Annals of opera, 1597–1940
AUBER: Fiorella
| Opera
Annals of opera, 1597–1940
AUBER: Fra Diavolo ou L’Hôtellerie de Terracine*
| Opera
Annals of opera, 1597–1940
AUBER: Gustave III ou Le Bal Masqué
| Opera
Annals of opera, 1597–1940
AUBER: Haydée ou Le Secret
| Opera
Annals of opera, 1597–1940
AUBER: L’Ambassadrice*
| Opera
Annals of opera, 1597–1940
AUBER: L’Enfant prodigue
| Opera
Annals of opera, 1597–1940
AUBER: La Barcarolle ou L’Amour et la Musique
| Opera
Annals of opera, 1597–1940
AUBER: La Bergère Châtelaine
| Opera
Annals of opera, 1597–1940
AUBER: La Circassienne
| Opera
Annals of opera, 1597–1940
AUBER: La Fiancée
| Opera
Annals of opera, 1597–1940
AUBER: La Muette de Portici*
| Opera
Annals of opera, 1597–1940
AUBER: La Neige ou Le Nouvel Eginard
| Opera
Annals of opera, 1597–1940
AUBER: La Part du Diable
| Opera
Annals of opera, 1597–1940
AUBER: La Sirène
| Opera
Annals of opera, 1597–1940
AUBER: Le Cheval de Bronze
| Opera
Annals of opera, 1597–1940
AUBER: Le Concert à la Cour ou La Debutante
| Opera
Annals of opera, 1597–1940
AUBER: Le Dieu et la Bayadère ou La Courtisane amoureuse
| Opera
Annals of opera, 1597–1940
AUBER: Le Domino noir
| Opera
Annals of opera, 1597–1940
AUBER: Le Duc d’Olonne
| Opera
Annals of opera, 1597–1940
AUBER: Le Lac des Fées
| Opera
Annals of opera, 1597–1940
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