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Annals of opera, 1597–1940
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BALFE: The Puritan’s Daughter
| Opera
Annals of opera, 1597–1940
BALFE: The Rose of Castille
| Opera
Annals of opera, 1597–1940
BALFE: The Siege of Rochelle*
| Opera
Annals of opera, 1597–1940
BANTOCK: Caedmar
| Opera
Annals of opera, 1597–1940
BANTOCK: The Seal Woman*
| Opera
Annals of opera, 1597–1940
BARANOVIĆ: Striženo-Košeno (Shorn-Mown)
| Opera
Annals of opera, 1597–1940
BARBIERI: El Barberillo de Lavapiés (The Barber of Lavapiés)
| Opera
Annals of opera, 1597–1940
BARILLI: Emiral*
| Opera
Annals of opera, 1597–1940
BARKWORTH: Romeo and Juliet
| Opera
Annals of opera, 1597–1940
BARNETT: Fair Rosamond
| Opera
Annals of opera, 1597–1940
BARNETT: Farinelli
| Opera
Annals of opera, 1597–1940
BARNETT: The Mountain Sylph
| Opera
Annals of opera, 1597–1940
BARRIOS AND CAMPO: El Avapiés
| Opera
Annals of opera, 1597–1940
BARTAY: Csel (The Trick)
| Opera
Annals of opera, 1597–1940
BARTHÉLEMON: Pelopida
| Opera
Annals of opera, 1597–1940
BARTOK: A Kékszakállú Herceg Vára* (Duke Blue-Beard’s Castle)
| Opera
Annals of opera, 1597–1940
BATES: Pharnaces
| Opera
Annals of opera, 1597–1940
BATH: Bubbles
| Opera
Annals of opera, 1597–1940
BATTISHILL and M. ARNE: Almena
| Opera
Annals of opera, 1597–1940
BATTISTA: Ermelinda
| Opera
Annals of opera, 1597–1940
BATTON: La Fenêtre secrète ou Une Soirée à Madrid
| Opera
Annals of opera, 1597–1940
BAUMGARTEN: Zemire und Azor
| Opera
Annals of opera, 1597–1940
BAUSSNERN: Satyros
| Opera
Annals of opera, 1597–1940
BAY: Lazarilla eller Sangerinden med Slóret (Lazarilla, or The veiled Songstress)
| Opera
Annals of opera, 1597–1940
BAZIN: Le Trompette de M. le Prince
| Opera
Annals of opera, 1597–1940
BAZIN: Le Voyage en Chine
| Opera
Annals of opera, 1597–1940
BAZIN: Maître Pathelin
| Opera
Annals of opera, 1597–1940
BAZZINI: Turanda
| Opera
Annals of opera, 1597–1940
BECHGAARD: Frøde
| Opera
Annals of opera, 1597–1940
BEECKE: Claudine von Villa Bella
| Opera
Annals of opera, 1597–1940
BEER: Der Strike der Schmiede
| Opera
Annals of opera, 1597–1940
BEETHOVEN: Fidelio oder Die eheliche Liebe*
| Opera
Annals of opera, 1597–1940
BEFFROY DE REIGNY: Les deux Nicodèmes ou Les Français dans la Planète de Jupiter
| Opera
Annals of opera, 1597–1940
BEFFROY DE REIGNY: Nicodème dans la Lune ou La Revolution pacifique
| Opera
Annals of opera, 1597–1940
BELLI: Il Pianto d’Orfeo
| Opera
Annals of opera, 1597–1940
BELLINI: Beatrice di Tenda*
| Opera
Annals of opera, 1597–1940
BELLINI: Bianca e Gernando*
| Opera
Annals of opera, 1597–1940
BELLINI: I Capuleti e i Montecchi*
| Opera
Annals of opera, 1597–1940
BELLINI: I Puritani di Scozia*
| Opera
Annals of opera, 1597–1940
BELLINI: Il Pirata*
| Opera
Annals of opera, 1597–1940
BELLINI: La Sonnambula*
| Opera
Annals of opera, 1597–1940
BELLINI: La Straniera*
| Opera
Annals of opera, 1597–1940
BELLINI: Norma*
| Opera
Annals of opera, 1597–1940
BEMBERG: Elaine
| Opera
Annals of opera, 1597–1940
BENDL: Dítě Tábora (The Daughter of the Camp)
| Opera
Annals of opera, 1597–1940
BENDL: Leila
| Opera
Annals of opera, 1597–1940
BENDL: Máti Míla (Mother Mila)
| Opera
Annals of opera, 1597–1940
BENEDICT: The Bride of Song
| Opera
Annals of opera, 1597–1940
BENEDICT: The Brides of Venice
| Opera
Annals of opera, 1597–1940
BENEDICT: The Crusaders
| Opera
Annals of opera, 1597–1940
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Annals of opera, 1597–1940
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