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Annals of opera, 1597–1940
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(A. BERG): Lulu*
| Opera
Annals of opera, 1597–1940
(A. G. THOMAS): The golden Web
| Opera
Annals of opera, 1597–1940
(BALFE): Il Talismano
| Opera
Annals of opera, 1597–1940
(BERLIOZ): Die Eroberung Trojas*
| Opera
Annals of opera, 1597–1940
(BERLIOZ): La Damnation de Faust*
| Opera
Annals of opera, 1597–1940
(BIZET): Don Procopio*
| Opera
Annals of opera, 1597–1940
(BLODEK): Zítek
| Opera
Annals of opera, 1597–1940
(BOITO): Nerone*
| Opera
Annals of opera, 1597–1940
(BORODIN): Knyaz Igor *
| Opera
Annals of opera, 1597–1940
(BOURGAULT-DUCOUDRAY): Myrdhin
| Opera
Annals of opera, 1597–1940
(BUSONI): Doktor Faust*
| Opera
Annals of opera, 1597–1940
(C. FRANCK): Ghiselle
| Opera
Annals of opera, 1597–1940
(C. FRANCK): Hulda*
| Opera
Annals of opera, 1597–1940
(C. M. VON WEBER): Die drei Pintos*
| Opera
Annals of opera, 1597–1940
(C. PALLAVICINO): L’Antiope
| Opera
Annals of opera, 1597–1940
(CHABRIER): Briseis
| Opera
Annals of opera, 1597–1940
(CHAUSSON) : Le Roi Arthus
| Opera
Annals of opera, 1597–1940
(CIMAROSA) : Artemisia
| Opera
Annals of opera, 1597–1940
(CORNELIUS): Gunlöd
| Opera
Annals of opera, 1597–1940
(D’ALBERT): Mister Wu*
| Opera
Annals of opera, 1597–1940
(DARGOMUIZHSKY): Kamyeny Gost (The Stone Guest)
| Opera
Annals of opera, 1597–1940
(DELIBES): Kassya
| Opera
Annals of opera, 1597–1940
(DONIZETTI): Il Duca d’Alba*
| Opera
Annals of opera, 1597–1940
(DONIZETTI): Rita ou Le Mari Battu*
| Opera
Annals of opera, 1597–1940
(DUPONT): Antar*
| Opera
Annals of opera, 1597–1940
(FIBICH): Pád Arkuna (The Fall of Arcona)
| Opera
Annals of opera, 1597–1940
(FORONI): Advokaten Patelin
| Opera
Annals of opera, 1597–1940
(GLEASON): Otho Visconti
| Opera
Annals of opera, 1597–1940
(GODARD): La Vivandière
| Opera
Annals of opera, 1597–1940
(GOETZ): Francesca da Rimini
| Opera
Annals of opera, 1597–1940
(GRIEG): Olav Trygvason
| Opera
Annals of opera, 1597–1940
(HACQUART): De triomfeerende Min (Love’s Triumph)
| Opera
Annals of opera, 1597–1940
(HALÉVY): Noah
| Opera
Annals of opera, 1597–1940
(HÉROLD): Ludovic
| Opera
Annals of opera, 1597–1940
(HOFFMANN): Aurora
| Opera
Annals of opera, 1597–1940
(ISOUARD): Aladin ou La Lampe merveilleuse
| Opera
Annals of opera, 1597–1940
(J. C. VOGEL): Démophon
| Opera
Annals of opera, 1597–1940
(JANÁČEK) : Z Mrtvého Domu* (From the House of the Dead)
| Opera
Annals of opera, 1597–1940
(KRAUS): Aeneas i Carthago
| Opera
Annals of opera, 1597–1940
(LACOMBE): Meister Martin und seine Gesellen
| Opera
Annals of opera, 1597–1940
(LACOMBE): Winkelried
| Opera
Annals of opera, 1597–1940
(LEONCAVALLO): Edipo Re*
| Opera
Annals of opera, 1597–1940
(LISINSKI): Porin
| Opera
Annals of opera, 1597–1940
(LORTZING): Regina, oder Die Marodeure*
| Opera
Annals of opera, 1597–1940
(MAGNARD): Guercoeur
| Opera
Annals of opera, 1597–1940
(MARCELLO): Arianna*
| Opera
Annals of opera, 1597–1940
(MARSCHNER): Sangeskönig Hiarne und das Tyrfingschwert
| Opera
Annals of opera, 1597–1940
(MASSÉ): Une Nuit de Cléopâtre
| Opera
Annals of opera, 1597–1940
(MASSENET) : Amadis
| Opera
Annals of opera, 1597–1940
(MASSENET): Cléopâtre
| Opera
Annals of opera, 1597–1940
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