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Annals of opera, 1597–1940
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(OFFENBACH): Der Goldschmied von Toledo
| Opera
Annals of opera, 1597–1940
(OFFENBACH): Les Contes d’Hoffmann*
| Opera
Annals of opera, 1597–1940
(PACINI): Niccolo dei Lapi
| Opera
Annals of opera, 1597–1940
(PEPUSCH and) ARNOLD: Polly
| Opera
Annals of opera, 1597–1940
(PONCHIELLI): I Mori di Valenza
| Opera
Annals of opera, 1597–1940
(PUCCINI): Turandot*
| Opera
Annals of opera, 1597–1940
(R. WAGNER): Die Feen*
| Opera
Annals of opera, 1597–1940
(RESPIGHI): Lucrezia*
| Opera
Annals of opera, 1597–1940
(RIMSKY-KORSAKOV): Zolotoy Pyetushok Золотой Пѣтшокъ (The Golden Cockerel)*
| Opera
Annals of opera, 1597–1940
(SACCHINI): Arvire et Evelina
| Opera
Annals of opera, 1597–1940
(SCHUBERT): Alfonso und Estrella*
| Opera
Annals of opera, 1597–1940
(SCHUBERT): Der vierjährige Posten
| Opera
Annals of opera, 1597–1940
(SCHUBERT): Die Freunde von Salamanca
| Opera
Annals of opera, 1597–1940
(SCHUBERT): Die Verschworenen oder Der häusliche Krieg*
| Opera
Annals of opera, 1597–1940
(SCHUBERT): Fernando*
| Opera
Annals of opera, 1597–1940
(SCHUBERT): Fierrabras*
| Opera
Annals of opera, 1597–1940
(SEROV): Vrazhya Sila (The Power of Evil)
| Opera
Annals of opera, 1597–1940
(STANFORD): The Travelling Companion
| Opera
Annals of opera, 1597–1940
(STEPHAN): Die ersten Menschen
| Opera
Annals of opera, 1597–1940
(STRADELLA): Il Trespolo Tutore balordo
| Opera
Annals of opera, 1597–1940
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