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Annals of opera, 1597–1940
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(THRANE): Fjeldeventyret (Mountain Adventure)
| Opera
Annals of opera, 1597–1940
(VILLANUEVA): Keofar
| Opera
Annals of opera, 1597–1940
20th Century Revivals
| Opera
Annals of opera, 1597–1940
[audinot] : Le Tonnelier
| Opera
Annals of opera, 1597–1940
[copyright page]
| Prefazione/postfazione
Annals of opera, 1597–1940
[dedication]
| Prefazione/postfazione
Annals of opera, 1597–1940
[DUNI] : Le Caprice amoureux ou Ninette à la Cour
| Opera
Annals of opera, 1597–1940
[epigraph]
| Prefazione/postfazione
Annals of opera, 1597–1940
[HAYDN]: Die Ochsenmenuette
| Opera
Annals of opera, 1597–1940
[pepusch]: The Beggar’s Opera*
| Opera
Annals of opera, 1597–1940
[PEPUSCH]: Thomyris, Queen of Scythia
| Opera
Annals of opera, 1597–1940
[PHILIDOR]: Le Diable à quatre ou La double Metamorphose
| Opera
Annals of opera, 1597–1940
[ROSSINI]: Ivanhoé
| Opera
Annals of opera, 1597–1940
A. BERG: Wozzeck*
| Opera
Annals of opera, 1597–1940
A. E. FESCA: Der Troubadour
| Opera
Annals of opera, 1597–1940
A. FOERSTER: Gorenjski Slavček (Nightingale of Carniola) (Nightingale of Carniola)
| Opera
Annals of opera, 1597–1940
A. G. THOMAS: Esmeralda
| Opera
Annals of opera, 1597–1940
A. KALNIŅŠ: Dzimtenes Atmoda (The Country’s Awakening)
| Opera
Annals of opera, 1597–1940
A. KALNIN̨Š: Banuta
| Opera
Annals of opera, 1597–1940
A. OREFICE AND MANCINI: L’Engelberta o sia La Forza dell’Innocenza
| Opera
Annals of opera, 1597–1940
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