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Annals of opera, 1597–1940
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AUBER: Le Concert à la Cour ou La Debutante
| Opera
Annals of opera, 1597–1940
AUBER: Le Dieu et la Bayadère ou La Courtisane amoureuse
| Opera
Annals of opera, 1597–1940
AUBER: Le Domino noir
| Opera
Annals of opera, 1597–1940
AUBER: Le Duc d’Olonne
| Opera
Annals of opera, 1597–1940
AUBER: Le Lac des Fées
| Opera
Annals of opera, 1597–1940
AUBER: Le Philtre
| Opera
Annals of opera, 1597–1940
AUBER: Le premier Jour de Bonheur
| Opera
Annals of opera, 1597–1940
AUBER: Le Serment ou Les faux Monnayeurs
| Opera
Annals of opera, 1597–1940
AUBER: Leicester ou Le Château de Kenilworth
| Opera
Annals of opera, 1597–1940
AUBER: Léocadie
| Opera
Annals of opera, 1597–1940
AUBER: Les Diamants de la Couronne
| Opera
Annals of opera, 1597–1940
AUBER: Lestocq ou L’Intrigue et l’Amour
| Opera
Annals of opera, 1597–1940
AUBER: Manon Lescaut
| Opera
Annals of opera, 1597–1940
AUBER: Marco Spada
| Opera
Annals of opera, 1597–1940
AUBER: Rêve d’Amour
| Opera
Annals of opera, 1597–1940
AUBER: Zanetta ou Jouer avec le Feu
| Opera
Annals of opera, 1597–1940
AUBER: Zerline ou La Corbeille d’Oranges
| Opera
Annals of opera, 1597–1940
AUBERT: La Forêt bleue
| Opera
Annals of opera, 1597–1940
AUDRAN: Gillette de Narbonne
| Opera
Annals of opera, 1597–1940
AUDRAN: La Cigale et la Fourmi
| Opera
Annals of opera, 1597–1940
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