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Annals of opera, 1597–1940
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(DARGOMUIZHSKY): Kamyeny Gost (The Stone Guest)
| Opera
Annals of opera, 1597–1940
(DELIBES): Kassya
| Opera
Annals of opera, 1597–1940
(DONIZETTI): Il Duca d’Alba*
| Opera
Annals of opera, 1597–1940
(DONIZETTI): Rita ou Le Mari Battu*
| Opera
Annals of opera, 1597–1940
(DUPONT): Antar*
| Opera
Annals of opera, 1597–1940
(FIBICH): Pád Arkuna (The Fall of Arcona)
| Opera
Annals of opera, 1597–1940
(FORONI): Advokaten Patelin
| Opera
Annals of opera, 1597–1940
(GLEASON): Otho Visconti
| Opera
Annals of opera, 1597–1940
(GODARD): La Vivandière
| Opera
Annals of opera, 1597–1940
(GOETZ): Francesca da Rimini
| Opera
Annals of opera, 1597–1940
(GRIEG): Olav Trygvason
| Opera
Annals of opera, 1597–1940
(HACQUART): De triomfeerende Min (Love’s Triumph)
| Opera
Annals of opera, 1597–1940
(HALÉVY): Noah
| Opera
Annals of opera, 1597–1940
(HÉROLD): Ludovic
| Opera
Annals of opera, 1597–1940
(HOFFMANN): Aurora
| Opera
Annals of opera, 1597–1940
(ISOUARD): Aladin ou La Lampe merveilleuse
| Opera
Annals of opera, 1597–1940
(J. C. VOGEL): Démophon
| Opera
Annals of opera, 1597–1940
(JANÁČEK) : Z Mrtvého Domu* (From the House of the Dead)
| Opera
Annals of opera, 1597–1940
(KRAUS): Aeneas i Carthago
| Opera
Annals of opera, 1597–1940
(LACOMBE): Meister Martin und seine Gesellen
| Opera
Annals of opera, 1597–1940
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