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Annals of opera, 1597–1940
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(LACOMBE): Winkelried
| Opera
Annals of opera, 1597–1940
(LEONCAVALLO): Edipo Re*
| Opera
Annals of opera, 1597–1940
(LISINSKI): Porin
| Opera
Annals of opera, 1597–1940
(LORTZING): Regina, oder Die Marodeure*
| Opera
Annals of opera, 1597–1940
(MAGNARD): Guercoeur
| Opera
Annals of opera, 1597–1940
(MARCELLO): Arianna*
| Opera
Annals of opera, 1597–1940
(MARSCHNER): Sangeskönig Hiarne und das Tyrfingschwert
| Opera
Annals of opera, 1597–1940
(MASSÉ): Une Nuit de Cléopâtre
| Opera
Annals of opera, 1597–1940
(MASSENET) : Amadis
| Opera
Annals of opera, 1597–1940
(MASSENET): Cléopâtre
| Opera
Annals of opera, 1597–1940
(MASSENET): Panurge
| Opera
Annals of opera, 1597–1940
(MÉHUL): Valentine de Milan
| Opera
Annals of opera, 1597–1940
(MENDELSSOHN): Die Heimkehr aus der Fremde
| Opera
Annals of opera, 1597–1940
(MEYERBEER): L’Africaine*
| Opera
Annals of opera, 1597–1940
(MOSONYI): Álmos
| Opera
Annals of opera, 1597–1940
(MOZART): L’Oie du Caire*
| Opera
Annals of opera, 1597–1940
(MOZART): Zaide*
| Opera
Annals of opera, 1597–1940
(MUSORGSKY): Khovanshchina*
| Opera
Annals of opera, 1597–1940
(MUSORGSKY): Sorochinskaya Yarmarka* СοΡοЧИНсқаЯ ЯΡΜаΡҚа (The Fair of Sorochintsy)
| Opera
Annals of opera, 1597–1940
(MUSORGSKY): Zhenitba Женитьба (The Marriage)*
| Opera
Annals of opera, 1597–1940
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Annals of opera, 1597–1940
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