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Annals of opera, 1597–1940
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CORRI: The Travellers; or, Music’s Fascination
| Opera
Annals of opera, 1597–1940
CORSELLI: Alessandro nell’ Indie
| Opera
Annals of opera, 1597–1940
COSSOUL: A Cisterna do Diabo (The Devil’s Cistern)
| Opera
Annals of opera, 1597–1940
COSTA: Don Carlos
| Opera
Annals of opera, 1597–1940
COSTA: Malek Adel
| Opera
Annals of opera, 1597–1940
COTTRAU: Griselda
| Opera
Annals of opera, 1597–1940
COURVOISIER: Lanzelot und Elaine
| Opera
Annals of opera, 1597–1940
COWEN: Harold; or, The Norman Conquest
| Opera
Annals of opera, 1597–1940
COWEN: Pauline
| Opera
Annals of opera, 1597–1940
COWEN: Signa
| Opera
Annals of opera, 1597–1940
COWEN: Thorgrim
| Opera
Annals of opera, 1597–1940
CRAS: Polyphème
| Opera
Annals of opera, 1597–1940
CSÁSZÁR: A Kúnok (The Cumans)
| Opera
Annals of opera, 1597–1940
CURSCHMANN: Abdul und Erinieh oder Die Toten
| Opera
Annals of opera, 1597–1940
CURTI: Lili-Tsee
| Opera
Annals of opera, 1597–1940
CUYÁS: La Fattuchiera
| Opera
Annals of opera, 1597–1940
D’ALBERT: Der Golem
| Opera
Annals of opera, 1597–1940
D’ALBERT: Der Rubin
| Opera
Annals of opera, 1597–1940
D’ALBERT: Die Abreise*
| Opera
Annals of opera, 1597–1940
D’ALBERT: Die schwarze Orchidee
| Opera
Annals of opera, 1597–1940
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