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Annals of opera, 1597–1940
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A. THOMAS: Hamlet*
| Opera
Annals of opera, 1597–1940
A. THOMAS: La double Échelle
| Opera
Annals of opera, 1597–1940
A. THOMAS: Le Caïd
| Opera
Annals of opera, 1597–1940
A. THOMAS: Le Panier fleuri
| Opera
Annals of opera, 1597–1940
A. THOMAS: Le Perruquier de la Régence
| Opera
Annals of opera, 1597–1940
A. THOMAS: Le Songe d’une Nuit d’Eté
| Opera
Annals of opera, 1597–1940
A. THOMAS: Mignon
| Opera
Annals of opera, 1597–1940
A. THOMAS: Mina ou Le Ménage à trois
| Opera
Annals of opera, 1597–1940
A. THOMAS: Psyché
| Opera
Annals of opera, 1597–1940
A. THOMAS: Raymond ou Le Secret de la Reine
| Opera
Annals of opera, 1597–1940
A. VON GOLDSCHMIDT: Heliantus
| Opera
Annals of opera, 1597–1940
A. WOLFF: L’Oiseau bleu
| Opera
Annals of opera, 1597–1940
A.G. THOMAS: Nadeshda
| Opera
Annals of opera, 1597–1940
ABBATE: Matelda
| Opera
Annals of opera, 1597–1940
ABERT: Astorga
| Opera
Annals of opera, 1597–1940
ABERT: Ekkehard
| Opera
Annals of opera, 1597–1940
ABOS: Tito Manlio
| Opera
Annals of opera, 1597–1940
ABRÁNYI: Monna Vanna
| Opera
Annals of opera, 1597–1940
ADAM: Giralda ou La nouvelle Psyché
| Opera
Annals of opera, 1597–1940
ADAM: La Poupée de Nuremberg
| Opera
Annals of opera, 1597–1940
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