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Annals of opera, 1597–1940
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ABOS: Tito Manlio
| Opera
Annals of opera, 1597–1940
ABRÁNYI: Monna Vanna
| Opera
Annals of opera, 1597–1940
ADAM: Giralda ou La nouvelle Psyché
| Opera
Annals of opera, 1597–1940
ADAM: La Poupée de Nuremberg
| Opera
Annals of opera, 1597–1940
ADAM: La Reine d’un Jour
| Opera
Annals of opera, 1597–1940
ADAM: Le Bijou perdu
| Opera
Annals of opera, 1597–1940
ADAM: Le Brasseur de Preston
| Opera
Annals of opera, 1597–1940
ADAM: Le Chalet*
| Opera
Annals of opera, 1597–1940
ADAM: Le Farfadet
| Opera
Annals of opera, 1597–1940
ADAM: Le fidèle Berger
| Opera
Annals of opera, 1597–1940
ADAM: Le Postillon de Longjumeau*
| Opera
Annals of opera, 1597–1940
ADAM: Le Roi d’Yvetot
| Opera
Annals of opera, 1597–1940
ADAM: Le Sourd ou L’Auberge Pleine
| Opera
Annals of opera, 1597–1940
ADAM: Le Toréador ou L’Accord parfait
| Opera
Annals of opera, 1597–1940
ADAM: Les Pantins de Violette
| Opera
Annals of opera, 1597–1940
ADAM: Régine ou Les deux Nuits
| Opera
Annals of opera, 1597–1940
ADAM: Si j’étais Roi*
| Opera
Annals of opera, 1597–1940
ADELBURG: Zrinyi
| Opera
Annals of opera, 1597–1940
ADRAN: L’Enlèvement de la Toledad
| Opera
Annals of opera, 1597–1940
AGAZZARI: Eumelio*
| Opera
Annals of opera, 1597–1940
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