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Sachlexikon Rockmusik: Instrumente, Technik, Industrie

Sachlexikon Rockmusik: Instrumente, Technik, Industrie

The Sachlexikon Rockmusik contains 1323 articles on the terminology and topics of rock music and its performance—musical instruments ranging from electric guitar to the theremin; the equipment necessary for concerts and studios, including microphones, amplifiers, and mixing boards; small record companies and market-dominating media corporations; esoteric terms such as “Skunk Stripe”, “Geri Reig”, “Mucke”, “Fliegen”, and “Toasting”; genres ranging from AOR to Acid; and terms used in music theory as they pertain to rock. Discographies, bibliographies, and web references complete the articles. The boundaries of rock music are often crossed into pop and jazz. Cross-references provide an extended overview of a topic and help to better understand its context. A bibliography and an index of commercial names and references round off the encyclopedia.

Country: Germany
Language: German
Topic: rock music
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The 20th century violin concertante: A repertoire catalogue

The 20th century violin concertante: A repertoire catalogue

The 20th century violin concertante is the only comprehensive repertoire compendium of compositions written in and around the twentieth century for violin in a solo role in combination with an ensemble or other instruments. Bröker's interpretation of the term "concertante" is very inclusive, embracing any composition that contains at least a solo violin part and an accompaniment by an orchestra or larger ensemble; works featuring the violin within a group of solo instruments; and works that carry the words concerto, concertante, or their derivatives in their titles and feature prominent solo violin parts. The catalogue therefore includes tone poems, concert works, and even short miniatures of less than two minutes. The catalogue lists 13,000 compositions by more than 7000 composers, with additional information on the works. Names of Arab, Armenian, Georgian, Greek, and Persian composers are given in original script as well as in roman transcription. The catalogue does not provide any sources, though in his preface Bröker assures readers of the accuracy and integrity of the data, which largely stem from bibliographies and from the composers themselves. Because of its comprehensive approach and its wide representation of composers and works, some of which are little known and not represented elsewhere, The 20th century violin concertante is an important addition to any reference collection.
Country: Germany
Language: English
Topic: 20th-century music
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