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Annals of opera, 1597–1940
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AUBER: Le Philtre
| Opera
Annals of opera, 1597–1940
AUBER: Le premier Jour de Bonheur
| Opera
Annals of opera, 1597–1940
AUBER: Le Serment ou Les faux Monnayeurs
| Opera
Annals of opera, 1597–1940
AUBER: Leicester ou Le Château de Kenilworth
| Opera
Annals of opera, 1597–1940
AUBER: Léocadie
| Opera
Annals of opera, 1597–1940
AUBER: Les Diamants de la Couronne
| Opera
Annals of opera, 1597–1940
AUBER: Lestocq ou L’Intrigue et l’Amour
| Opera
Annals of opera, 1597–1940
AUBER: Manon Lescaut
| Opera
Annals of opera, 1597–1940
AUBER: Marco Spada
| Opera
Annals of opera, 1597–1940
AUBER: Rêve d’Amour
| Opera
Annals of opera, 1597–1940
AUBER: Zanetta ou Jouer avec le Feu
| Opera
Annals of opera, 1597–1940
AUBER: Zerline ou La Corbeille d’Oranges
| Opera
Annals of opera, 1597–1940
AUBERT: La Forêt bleue
| Opera
Annals of opera, 1597–1940
AUDRAN: Gillette de Narbonne
| Opera
Annals of opera, 1597–1940
AUDRAN: La Cigale et la Fourmi
| Opera
Annals of opera, 1597–1940
AUDRAN: La Mascotte
| Opera
Annals of opera, 1597–1940
AUDRAN: La Poupée
| Opera
Annals of opera, 1597–1940
AUDRAN: Le Grand Mogol
| Opera
Annals of opera, 1597–1940
AUDRAN: Les Noces d’Olivette
| Opera
Annals of opera, 1597–1940
AUDRAN: Miss Hélyett
| Opera
Annals of opera, 1597–1940
AULETTA: Orazio
| Opera
Annals of opera, 1597–1940
AZZALI: Lhidiac
| Opera
Annals of opera, 1597–1940
B. A. WEBER: Die Wette
| Opera
Annals of opera, 1597–1940
B. A. WEBER: Mudarra
| Opera
Annals of opera, 1597–1940
B. BASILJ: El Contrabandista (The Smuggler) (The Smuggler)
| Opera
Annals of opera, 1597–1940
B. BASILJ: El Diablo Predicador (The Devil a Preacher)
| Opera
Annals of opera, 1597–1940
B. FERRARI: Il Pastor regio
| Opera
Annals of opera, 1597–1940
B. FERRARI: L’Armida
| Opera
Annals of opera, 1597–1940
B. KLEIN: Dido
| Opera
Annals of opera, 1597–1940
B. O. KLEIN: Kenilworth
| Opera
Annals of opera, 1597–1940
B. SCHUSTER: Der Dieb des Glückes
| Opera
Annals of opera, 1597–1940
BACHELET: Quand la Cloche sonnet a
| Opera
Annals of opera, 1597–1940
BACHELET: Scemo
| Opera
Annals of opera, 1597–1940
BADIA: La Psiche
| Opera
Annals of opera, 1597–1940
BALFE: Diadeste; or, The Veiled Lady
| Opera
Annals of opera, 1597–1940
BALFE: Falstaff
| Opera
Annals of opera, 1597–1940
BALFE: Keolanthe; or, The Unearthly Bride
| Opera
Annals of opera, 1597–1940
BALFE: L’Étoile de Séville
| Opera
Annals of opera, 1597–1940
BALFE: Le Puits d’Amour
| Opera
Annals of opera, 1597–1940
BALFE: Les quatre Fils Aymon
| Opera
Annals of opera, 1597–1940
BALFE: Pittore e Duca
| Opera
Annals of opera, 1597–1940
BALFE: Satanella; or, The Power of Love*
| Opera
Annals of opera, 1597–1940
BALFE: The Armourer of Nantes
| Opera
Annals of opera, 1597–1940
BALFE: The Bohemian Girl*
| Opera
Annals of opera, 1597–1940
BALFE: The Bondman
| Opera
Annals of opera, 1597–1940
BALFE: The Daughter of St. Mark*
| Opera
Annals of opera, 1597–1940
BALFE: The Devil’s in it
| Opera
Annals of opera, 1597–1940
BALFE: The Enchantress
| Opera
Annals of opera, 1597–1940
BALFE: The Maid of Artois
| Opera
Annals of opera, 1597–1940
BALFE: The Maid of Honour
| Opera
Annals of opera, 1597–1940
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