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Annals of opera, 1597–1940
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B. SCHUSTER: Der Dieb des Glückes
| Opera
Annals of opera, 1597–1940
BACHELET: Quand la Cloche sonnet a
| Opera
Annals of opera, 1597–1940
BACHELET: Scemo
| Opera
Annals of opera, 1597–1940
BADIA: La Psiche
| Opera
Annals of opera, 1597–1940
BALFE: Diadeste; or, The Veiled Lady
| Opera
Annals of opera, 1597–1940
BALFE: Falstaff
| Opera
Annals of opera, 1597–1940
BALFE: Keolanthe; or, The Unearthly Bride
| Opera
Annals of opera, 1597–1940
BALFE: L’Étoile de Séville
| Opera
Annals of opera, 1597–1940
BALFE: Le Puits d’Amour
| Opera
Annals of opera, 1597–1940
BALFE: Les quatre Fils Aymon
| Opera
Annals of opera, 1597–1940
BALFE: Pittore e Duca
| Opera
Annals of opera, 1597–1940
BALFE: Satanella; or, The Power of Love*
| Opera
Annals of opera, 1597–1940
BALFE: The Armourer of Nantes
| Opera
Annals of opera, 1597–1940
BALFE: The Bohemian Girl*
| Opera
Annals of opera, 1597–1940
BALFE: The Bondman
| Opera
Annals of opera, 1597–1940
BALFE: The Daughter of St. Mark*
| Opera
Annals of opera, 1597–1940
BALFE: The Devil’s in it
| Opera
Annals of opera, 1597–1940
BALFE: The Enchantress
| Opera
Annals of opera, 1597–1940
BALFE: The Maid of Artois
| Opera
Annals of opera, 1597–1940
BALFE: The Maid of Honour
| Opera
Annals of opera, 1597–1940
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Annals of opera, 1597–1940
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